Changing Sex in Early-Modern Culture
Bucknell Studies in Eighteenth Century Literature and Culture
Presenting Gender engages with one of the most intriguing aspects of Early Modern and Enlightenment culture: gender passing, the phenomenon of passing oneself off as a member of the opposite biological sex.
This collection of ten historically informed and theoretically sophisticated essays by European and American scholars employs "passing" as a pivotal practical, ideological, and textual term for investigating the relations among gender, sex, subjectivity, politics, and economics in a wide range of texts and social and cultural practices during the period 1600-1800. The relations between sex and gender, and biology and culture are found to be imbricated but not indissociable. Together, the contributors demonstrate that the identification of passing with sexual motivations suggested that the sexual body was perceived to be stable, though capable of being categorized into more than two sexes, while the association of passing with political motivations tended to privilege the body's cultural construction. At the same time, the contributors find a reverse set of polarities to be true for gender. Those who passed in early-modern and eighteenth-century culture for sexual reasons suggested that gender was unstable, while those who passed for political reasons suggested its stability.
Rich in detail and methodologically rigorous, Presenting Gender makes a significant contribution to our understanding of the shift from Renaissance and Restoration to Enlightenment understandings of identity generally, and sexual identity specifically, and will complicate the hitherto rather rigid periodization of the years 1600-1800.
Contributors; Thomas Alan King, Elizabeth Kubek, Carolyn D. Williams, Karina Williamson, Ruth Herman, David Michael Robinson, Conrad Brunstrom, Rachel Carnell, Julie Shaffer, and Chris Mounsey.
About the editor:
Chris Mounsey worked for several years in theatre before an accident and four months' immobility, in which reading was the only possible occupation, led to an academic career. Degrees in Philosophy, Comparative Literature and English from the University of Warwick followed, and a doctorate on Blake founded an interest in literature of the eighteenth century. Dr. Mounsey, who now teaches at the University of Winchester, is author of Christopher Smart: Clown of God and editor of Presenting Gender and Queer People. He is also author of Understanding the Poetry of William Blake through a Dialectic of Contraries (2011) and Being the Body of Christ.
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